


Recently I've been asked why I'm painting these new paintings of car wrecks.
When I started painting them I wasn't sure. I had collected the images some time ago from the net during a time when I was searching for images which to me conveyed the conflict between protection and control. This manifested itself in the series I did with birds being banded. The more I worked on the series the more I began to feel it became about birds and hands. The more of them collected together the more it became about the specific action being represented and not as much of the metaphorical implications I was getting at.
Feeling that, I began to look for other images that conveyed a similar dialogue. Driving home late one night from the studio, at the end of an exit ramp, was a car that had wrecked into a lamppost. The driver was alright but the car looked like a crushed can. When I saw that, the sense of security I felt in my own car was shaken. I realized that there are similar implications in that situation. We drive in these sealed in environments, feeling in control, protected and empowered but in a moment that can change.
I'm risking the same dilemma of loosing the metaphoric language of these images in doing so many of them but I'm enjoying the making of them - a prospect not to be taken lightly. More than likely these will be used in groupings along with other paintings or installation but for now I'll continue working on them. They are seductive.